Country=USA / Tomatometer=7,2 of 10 Stars / duration=2H 28 m / Genre=Drama / Creator=Ari Aster / Traumatised and still struggling to come to terms with an appalling family tragedy, the American graduate student, Dani, turns to her self-centred and distant boyfriend, Christian, against the backdrop of an inescapable break-up. In high hopes of repairing their disintegrating relationship, Dani tags along with two of Christian's fellow students and their cryptic Swedish friend, Pelle, to attend a once-every-ninety-years summer solstice festival at an isolated pagan commune in rural Sweden. Now, for the first time in a long while, Dani feels happy; however--in this friendly and verdant haven of peace, harmony, and constant sunshine--the welcoming community's peculiar traditions start to blemish the folkloric utopia, allowing the uncomfortable feeling of uneasiness to creep up on Dani and her friends. In the eyes of the uninitiated newcomers, the naturalistic rituals seem brutal. Could a numbing truth be hiding in plain sight?
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Synopsis Let the festivities begin. Several friends travel to Sweden to study as anthropologists a summer festival that is held every ninety years in the remote hometown of one of them. What begins as a dream vacation in a place where the sun never sets, gradually turns into a dark nightmare as the mysterious inhabitants invite them to participate in their disturbing festive activities. Cast Crew Details Genres Director Producers Writer Editor Cinematography Production Design Art Direction Visual Effects Composer Sound Costumes Make-Up Studios Countries Languages Alternative Titles 미드소마, Midsummer Popular reviews More my first night at college, a friend and i took our first weed cookie from a girl we'd just met. 2 hours later we locked ourselves in my dorm room, laid on the twin beds, and tried our best not to die. after my friend decided to go back to her own room to sleep (it took her a solid 3 minutes to get the key in the hole), i was alone in the dark and nothing felt real. i turned on the lights, and everything felt too real. i was too paralyzed with panic to scramble the 5 feet across the tiny room to get my (prescription! ) xanax. nothing has captured that self-inflicted terror like Midsommar. fear lurks in… This review may contain spoilers. I can handle the truth. Imagine being left out of your family's suicide lmao i am SO glad ari aster clearly never went to therapy MIDSOMMAR will do for Swedish pagan solstice rituals what Psycho did for showers. a psychedelic fairy tale about ridding oneself of fear and pain — absolutely delightful from its nightmare of an opening to its floral purge of a finale. get ready to laugh. 💐🌞💐 Ari Aster is the business. This review may contain spoilers. always great to see a feel-good movie about traveling, recognizing your worth & wearing fun new accessories as you leave a toxic relationship. :) getting rid of a shitty boyfriend can be a real bear. This review may contain spoilers. cute couples costume idea for all the happy couples out there: 💐🌺🌼 🐻 🌼☺️🌸 ✌️👕✌️ 🌷🌻🌹 👞👞 Yes! Love it! Absolutely love it. Such an immersive, funny, disturbing and beautiful experience. Right now, it’s my fave of the year. If Ari makes one more horror film of this quality level, he will be in the ranks of Carpenter, Romero, Craven etc. Great article on why DP Pawel Pogorzelski had to shoot this digitally: I’d love to see a 35mm print struck. Watched at Cineplex Odeon’s Park & Tilford Vancouver The best version of Charlie and the Chocolate Factory since 1971 This review may contain spoilers. I was sitting next to the entrance and during the sex scene a guy walked into the wrong theater, went “nope, ” and walked back out. 💐🌺🌼💐🌺🌼💐🌺 🌼s(he) be(lie)ve(d)🌸 🌷🌻🌹🌷🌻🌹🌷🌻 Edit: Letterboxd hid this review bc it didn’t “provide meaningful review content” so.. Loved the complex characters and dynamics explored, BIG fan of the colors and visceral visuals. The cinematography, production design & score were, simply put, lavish and indulging TREATS. The costumes? Loved those too. Don’t even get me STARTED on Florence, Poulter and bears’s performances, having loved those three babies I owe them my life! This movie made me laugh and cry and In Conclusion: this was some good! stuff! Highly recommend. We good now @Letterboxd editorial team??? This review may contain spoilers. this movie is going to end sooooo many relationships including the couple that was sitting right beside me. “i don’t know that he deserved that, ” he said as the credits rolled, followed up by a very heated “that’s rich coming from you of all people. ” the conviction and rage in her voice and the brief moment of shocked silence held between the two before they shuffled out carried with it so much history i did not care to witness so congrats to ari aster on unlocking the true power of cinema i guess. anyway pretty fun movie, very normal time, feeling at ease and such. when i wrote about Hereditary i was shocked to see that not many people acknowledged… Funny and weird! Truly a relief in comparison to Hereditary. If Ari Aster is gonna keep doing a buncha fucked up shit it should have to be in perpetual daylight like Midsommar is! Hereditary ruined my sleep for about two weeks, but last night, I slept soundly knowing all the pagan freaks are doing their broad daylight murders far away in their little village tens of thousands of miles from my REM cycle ☺️! (Italicized the movie titles to legitimize this review) Recent reviews This review may contain spoilers. One of the best Ari Aster's films. The history reference of this film is too good. I watched this for atleast five times already and it never bore me. Hereditary fue mejor que esta mierda. the first viewing was so draining I couldn’t process so much of what makes this movie great. after a rewatch and lots of reading & discussion, not to mention this brilliant video analysis, i think it’s a near masterpiece m. 88/100 movies watched in 2020 My good friend Sammy says they act like enjoying Midsommar is a personality trait and well honestly same because you know how sometimes pretentious snobs are pretentious and snobby about a film and actually it ends up being kino? This is one of those times. PS Florence Pugh 🥺 This movie is good but a little weird so i like. Story is good but some things are uncertain and that's a little disturbing so story processing is very good in first half but second half is a bit complicated (We don't know what happens to some of the things and the characters in the rest of the movie). The visuality and cinematography of the movie are incredible. The last quarter of the film offers the audience what the film wants to tell and what it means from beginning to end. The end of the film is good but weird, vague and incomprehensible. it gets worse every time i watch it but we love you, florence pugh My mom made me watch the Ring with her when i was 10 and it traumatized me. So I took her to see this in the theatre last year to try to get her back, and low and behold, she loved it. Mom is unflappable. I’m just barely giving this a 7/10 for the technical achievements of the movie. My heart was pounding during a couple scenes in the first half, it was reminiscent of the dread I felt during Hereditary. But that second half really dragged and the quirkinesses of the movie started to become almost like a parody of itself, it totally took me out of it, and lost any immersion that was there at one point. I felt like the film thought the ending was blowing my mind when it genuinely didn’t have much of an affect on me, other than making me roll my eyes a couple times. This review may contain spoilers. Really original and visually stunning. Added bonus of getting me to self reflect about being an imperfect partner who sometimes deserves to be sewn into a bear Here's a theory: Stig from Tall Girl is a person sent out by the cult to find new people to sacrifice. It makes sence if you think about it. Yeah, I didn't expect anything better than Hereditary so I'm not disappointed that I didn't get will probably hear in every review that this is not as much horror but more just fucked up shit happening. It takes it's time to do fucked up shit, but even when it gets there it's still kind of mild. Maybe I'm too used to shit like Hereditary but nothing really shocked me too much. The most devastating things that happened are in my opinion the events that set up the story before they… I don't get it. Not scary, but very beautiful. Popular Lists horror as a vehicle my favorite genre is when a film uses horror not as the ultimate goal but as a means to an… Film Club Top 100 (Updated 2020) hey bitches 😁 here is our top 100 favourite films and we have sick taste 😎💯👌👌👌👌👌👌👌 Fun Facts: - 100… Random Movie Roulette Rules: Generate a number (from 1 to x) via: See how many number of films there are in the… The Life of the Mind A very rough list of eccentric cerebral films - films that are consisted of many wonderful imaginative ideas and creations, ….
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F or many viewers emerging from the cinema, the first question about Midsommar will undoubtedly be: what the hell just happened? We begin our journey in the relative certainties of the real world – albeit one soured by bereavement for our heroine Dani (Florence Pugh). Nearly two-and-a-half hours later, reality has been warped to the extent that it makes perfect sense to watch Dani, drugged up and dressed as a Jeff Koons puppy, saying goodbye to her asshole boyfriend as he burns to death inside a disembowelled bear, along with other sacrificial victims, in a giant triangular barn, in the middle of Swedish nowhere, surrounded by her cheery new “family”. This is fine! More questions arise once a sense of normality has returned. Is it a horror masterpiece for you, as for many critics? After this and Hereditary, does director Ari Aster deserve to be crowned our new king of horror? Or if not, why not? Either way, as with Hereditary, Midsommar feels like a highly considered piece of storytelling beneath the craziness – technically precise, meticulously designed, dense with allusions, clues, references and riddles. So let’s see if we can decipher some of them, process our feelings and collectively repair our frayed nerves. Old-time religion? The belief system of the happy inhabitants of Hårga seems to be a mix of northern European paganism, occult tradition, arcane numerology and made-up nonsense. How much of each? Native Swedes will have a better idea when it comes to the local lore. May Queens, maypoles and flower crowns are familiar elements of many real-life midsummer rituals. The runes scattered throughout the movie are also genuine (any translators of Elder Futhark out there? ). Even the worse-than-death fate of Simon in the chicken coop is based on legends of a gory Norse practice known as the “blood eagle”. There also seems to be something significant about multiples of nine: the division of human life into four 18-year “seasons”, ending at 72 (that unforgettably gory cliff-jumping Ättestupa ritual is also a real thing). Note how Dani is celebrating her birthday – if it’s her 27th, it would place her in the exact centre of the second season, the “midsummer” of her life. Then there are the nine sacrifices, the nine-day festival, the 90-year cycle. Does it all fit together? Does it matter? Is Ari Aster the new king of horror?... Jack Reynor and Florence Pugh in Midsommar. Photograph: Gabor Kotschy/Allstar/A24 What’s it really about? Even if you’re not into deciphering the puzzles, Midsommar is a powerful study of grief, betrayal, breakups, and more. And, as usual, Florence Pugh is just brilliant as Dani. She’s so adept at registering the emotions of her character, whether they’re just below the surface or breaking out into wailing hysteria. We’re with her every step of the way, and, whatever else it represents, the ending of the film is satisfyingly cathartic for Dani on a personal level. As for her three male companions, they get what they deserve, don’t they? They represent different facets of masculine inadequacy. It’s clear that boyfriend Christian (Jack Reynor) is a coward and a selfish asshole from the outset, even if Dani is too fragile to realise it. Horndog Mark ( Will Poulter) thinks he’s in Sweden’s answer to Love Island, and Josh ( William Jackson Harper) puts morality aside in favour of academic ambition. Do these male characters represent corrupting, toxic masculinity? Or is this a parable of snarky, city-smart, modern rationalism undone by primal rural values? Or are the villagers’ ancient pagan traditions actually far-right beliefs dressed up in folksy costumes? White nationalism, racial purity, eugenics, incest – something rotten at the heart of western civilisation? Count the precedents So many movies feed into Midsommar. It is possibly more instructive to detail differences than similarities between Midsommar and definitive folk horror The Wicker Man. Aster himself compared his film to Albert Brooks’ 1981 breakup movie Modern Romance (no, I haven’t seen it either). The Guardian’s Peter Bradshaw likened Midsommar to Nicolas Roeg’s Don’t Look Now in its treatment of grief and presentiment. Then again, is Midsommar essentially the same story as Hereditary? In both movies, a grief-stricken woman with mental health issues finds herself a pawn in the grand scheme of some sinister, ancient clan dedicated to perpetuating itself at all costs. And arrives at a place of calm acceptance. Aster made another intriguing comparison last year when he described Midsommar as a “Wizard of Oz for perverts”. Is there something in that? Dani would be Dorothy, obviously. Her male companions could well be analogues of the Cowardly Lion, the Scarecrow and the Tin Man. Both stories feature storms, witchcraft and hallucinogenic plants. Dani and co even walk into Hårga down a path strewn with yellow flowers – a yellow brick road? Does that make Pelle the wizard? In retrospect, he’s the one pulling the strings, isn’t he? Is it supposed to be funny? Some have complained that Midsommar’s horror is undercut by its over-the-top ridiculousness, and therefore it’s not as scary as it is trying to be. Certainly in the cinema I went to, there were moments that had the whole house laughing: the recorder-playing villagers who greet the newcomers; Christian’s utterly bonkers sex scene with the red-haired woman (and friends); pretty much every line Mark says. Should we be laughing? Did Aster intend for Midsommar to be a comedy? And if so, do these moments detract from the horror, or complement it? Does it really make sense? How often do the people of Hårga do this? If this is a ritual that only happens once every 90 years, what are these people doing the rest of the time? Or do they do this every year for Midsommar? In which case, wouldn’t people have noticed quite a few foreign tourists going missing in a remote part of Sweden over the years? What would have happened if Dani hadn’t won the May Queen dance-off? And why did the Londoners Connie and Simon have to die? They didn’t do anything wrong, did they? Maybe we’re not meant to understand. Maybe none of this ever happened, and it was all just Dani’s mushroom trip that began moments after they arrived. Maybe the point of the film is to break down rational thought and make us chase our tails in bewildered theorising. In which case mission accomplished.
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